Ice Cube Celebrates The Eames

Posted on by msmlska

in longform:

in :30:

in sites i like:

fader

laughing squid

the new york times

creativity

credits:

a lot of hardworking folk

broadcast coordinator:  msmlska

here’s those hardworking folk…

TBWA\Chiat\Day
Chief Creative Officer:  Rob Schwartz
Executive Creative Director: Patrick O’Neill
Creative Director: Jayanta Jenkins
Sr. Copy Writer: Evan Brown
Copy Writer:  Liz Cartwright
Art Director: Stephen Lum
Executive Director of Integrated Production: Richard O’Neill
Executive Producer: Guia Iacomin
Producer: Christopher Spencer
Broadcast Coordinator:  Micah Kawaguchi-Ailetcher
Director of Business Affairs: Linda Daubson
Business Affairs: KK Davis
Director of Broadcast Traffic: Nadzyah Guillermo
Group Account Director: Mike Litwin
Account Supervisor: Andrew Krensky
Account Executive: Brienne Monty
Account Group Assistant:  Dominic Valdez
Production Company:  @radical.media
Director:   Dave Meyers
 Executive Producer:  Frank Scherma
 Executive Producer:  Jim Bouvet
 Producer:  Hillary Rogers

 Cinematographer:   Danny Heile
 Production Designer:  Deborah Evans
 Assistant Director:  Phil Elins
 Production Supervisor:   Lisa Houle
 
 Makeup: Debra Denson
 Hair: Brett Mayo
 Gaffer:  Fritz Marx
 Assistant Art Director:  Cynthia Hill
 Prop Master:  Drew Kennedy
 VTR:  Anthony Perkins
 Sound:  Paul Marshall
 Boom:  Paul Leo Romo
 Second AD:  Steve Bagnara
 1AC:  Nicole Martinez
 2AC:   Eric Matos
 Asst Prod Supervisor:   Erick Varillas

 Production Assistants:  
Emerson Boergadine, Alex Garcia, Jennifer Horner, Danny Jones,
Scott Karres, Michael Leonian, Doug Murray, Amir Pakesh, Jill Reisman
 
 Asst to Producers:  Christine Morrison
 Asst to Director:  Christine Gentes
 
 Film Donated by Eastman Kodak
 Film Processed by Fotokem 
 Telecine Shane Harris @ company3 LA
Camera Panavision 
Additional photographic material provided by:
Eames Office LLC
Jack Laxer, Photographer

 

Editor:  Chris Davis
 Edit House:  Venice Beach Editorial
Executive Producer:  Hunter Conner
Producer:  Cristy Torres
Assistant Editor:  Daniel Reitzenstein

 

Post Production Company:  MassMarket LA
Executive Producer:  Lexi Stern
Producer:  Hillary Thomas
Lead 3D Artist:  Barry Kriegshauser

 

VFX Supervisors/Lead Compositors:  Kim Stevenson & Julie Lenoble

 

3D Artists:  Barry Kriegshauser, Brianne Meyer,
Yvain Gnabro, Minor Gaytan

 

Compositors:  Lane Jolly, Rayn Raith, Julie Lenoble

 

Flame Artists:  Kim Stevenson, John Shirley, Gavin Camp

 

Music by Emoto Music
Composer:  Paul Bessenbacher
Executive Producer:  Paul Schultz

 

Audio Post Facility:  Soundwell
Sound Design:  Dean Hovey
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Published by msmlska

Born in Kailua, Hawai`i during a nurses strike in February of 1984, Micah, a bald new born with slight 'dumbo' ears, was called a "potato head" by the first man to set eyes on her: her doctor. This set into motion insecurities that would last well into puberty, highlighted by a year of wearing her hair down over the two flapjacks upon each side of her not so potato-like head. In perhaps an attempt to compensate for the lack of hospital staff, Micah's parents felt it necessary to overcompensate in names on her birth certificate. In the end, 34 letters and a hyphen would make up her full name, requiring more space than is available on class rosters and leaving professors guessing at her name. Micah, the daughter of a hustling Jewish father and a Dharma School teaching Buddhist mother, was promptly put into a Catholic school (complete with nuns, priests, and rulers). At age 9, she received a 35mm SLR camera. Eventually, she assimilated into public school and attended the oldest school west of the Mississippi River: Lahainaluna High School, est. 1831. This period of Micah's life is hazy. In 2002, shortly after her 18th birthday, Micah became violently ill with island fever and moved to Los Angeles. With nothing else to do, she did what all the other kids were doing, and enrolled in a college (one that didn't require an essay or any plan in general). After spending 3 years at a 2 year college, Micah felt that it may have been time to move on and transferred to USC. The next 3 years were full of photos, writings, delayed bus transfers, and some mean spills while trying to navigate her longboard around the fractured sidewalks of downtown. Eventually, Micah got a BA degree and left her name on the wall in the library at USC. Across the Pacific, in Aotearoa New Zealand, Micah watched TV for her Masters, thanks to a Fulbright Grant. She then wrote a paper on connecting through popular media, aided by new media.